1 00:02:01,540 --> 00:02:04,120 >> Blake: JEANETTE, I WANT TO TALK TO PETER BURROUGHS. 2 00:02:04,120 --> 00:02:06,710 GET HIM ON THE TELEPHONE FOR ME, WILL YOU, PLEASE? 3 00:02:06,710 --> 00:02:07,710 >> Krystle: AT THIS HOUR? 4 00:02:07,710 --> 00:02:08,750 >> Blake: GET HIM FOR ME. 5 00:02:08,750 --> 00:02:09,960 I'LL BE IN THE LIBRARY. 6 00:02:09,960 --> 00:02:13,330 >> Jeanette: YES, SIR. 7 00:02:13,330 --> 00:02:15,250 >> Blake: NO! 8 00:02:15,250 --> 00:02:16,620 NO. 9 00:02:16,620 --> 00:02:18,880 NO, PETER! BLAISDEL! 10 00:02:18,880 --> 00:02:21,250 MATTHEW BLAISDEL! 11 00:02:21,250 --> 00:02:24,210 WELL, I'VE JUST COME FROM A PARTY AT THE PATRICKS', AND I 12 00:02:24,210 --> 00:02:27,080 HEARD THAT SOMEBODY GAVE HIM THE MONEY TO FISH THE BIT OUT OF 13 00:02:27,080 --> 00:02:28,920 THAT RIG OF HIS. 14 00:02:28,920 --> 00:02:31,620 WELL, IT MEANS THAT HE STARTED UP HIS OPERATION. 15 00:02:31,620 --> 00:02:32,960 THAT'S WHAT IT MEANS. 16 00:02:32,960 --> 00:02:36,580 I WANT TO KNOW WHO IT WAS THAT GAVE HIM THAT MONEY! 17 00:02:36,580 --> 00:02:37,210 YES. 18 00:02:37,210 --> 00:02:40,380 YES, INDEED, I HAVE MY SUSPICIONS. 19 00:02:40,380 --> 00:02:43,750 YES, I SUSPECT IT COULD BE PATRICK. 20 00:02:43,750 --> 00:02:47,790 OR IT COULD BE HARRISON OR McCREEDY OR WILSON OR MANNING OR 21 00:02:47,790 --> 00:02:49,790 COLBY -- YOU NAME IT. 22 00:02:49,790 --> 00:03:01,750 CORRECTION, PETER -- YOU FIND OUT. 23 00:03:01,750 --> 00:03:04,540 >> Krystle: THEY'RE YOUR FRIENDS, BLAKE. 24 00:03:04,540 --> 00:03:05,540 >> Blake: HMM? 25 00:03:05,540 --> 00:03:09,290 >> Krystle: COLBY AND HARRISON AND THE OTHERS -- THEY'RE OLD 26 00:03:09,290 --> 00:03:09,920 FRIENDS. 27 00:03:09,920 --> 00:03:11,290 IT WASN'T ONE OF THEM. 28 00:03:11,290 --> 00:03:14,670 >> Blake: HOW DO YOU KNOW THAT? 29 00:03:14,670 --> 00:03:17,670 >> Krystle: BECAUSE I KNOW THEM. 30 00:03:17,670 --> 00:03:20,460 I FEEL IT. 31 00:03:20,460 --> 00:03:23,460 >> Blake: WELL, LET ME TELL YOU SOMETHING ABOUT FRIENDS, 32 00:03:23,460 --> 00:03:24,790 KRYSTLE -- MY FRIENDS. 33 00:03:24,790 --> 00:03:27,790 IN THIS BUSINESS, YOUR ONLY 34 00:03:27,790 --> 00:03:29,580 FRIEND IS A DEAD ENEMY. 35 00:03:29,580 --> 00:03:33,080 THE MINUTE YOU HIT THE GROUND, THESE FRIENDS WOULD TURN ON YOU 36 00:03:33,080 --> 00:03:34,880 LIKE A PACK OF HUNGRY DOGS. 37 00:03:34,880 --> 00:03:36,670 >> Krystle: WHY DO YOU SAY THAT? 38 00:03:36,670 --> 00:03:40,040 >> Blake: WELL, BECAUSE IF THE SITUATION WAS REVERSED, I WOULD 39 00:03:40,040 --> 00:03:42,170 DO THE SAME TO THEM. 40 00:03:51,960 --> 00:03:56,330 YOU'RE TREMBLING. 41 00:03:56,330 --> 00:04:00,210 >> Krystle: IT JUST 'CAUSE IT'S COLD IN HERE. 42 00:04:00,210 --> 00:04:05,250 I DON'T...ENJOY SEEING YOU UPSET. 43 00:04:05,250 --> 00:04:07,120 >> Blake: YOU KNOW SOMETHING? 44 00:04:07,120 --> 00:04:11,380 YOU'RE THE PERSON IN THIS WHOLE BURNT-OUT WORLD THAT I FEEL 45 00:04:11,380 --> 00:04:14,080 COMFORTABLE WITH. 46 00:04:14,080 --> 00:04:21,920 I MEAN REALLY COMFORTABLE. 47 00:04:21,920 --> 00:04:26,120 >> Krystle: THAT'S AWFULLY NICE TO HEAR. 48 00:04:26,120 --> 00:04:30,960 >> Blake: SOMETIMES THE PRESSURES ARE SO HEAVY THAT... 49 00:04:30,960 --> 00:04:34,540 >> Krystle: I KNOW. 50 00:04:34,540 --> 00:04:37,170 >> Blake: AND FALLON... 51 00:04:37,170 --> 00:04:40,540 SHE'S NEVER BEEN EASY, BUT I THINK SHE'S BEGINNING TO COME 52 00:04:40,540 --> 00:04:43,920 AROUND NOW THAT SHE'S MARRIED TO JEFF. 53 00:04:43,920 --> 00:04:47,080 NOTICE ANY CHANGE IN HER? 54 00:04:47,080 --> 00:04:48,210 >> Krystle: YES. 55 00:04:48,210 --> 00:04:49,750 >> Blake: AND STEVEN... 56 00:04:49,750 --> 00:04:52,290 >> Krystle: HE'LL COME AROUND, TOO, BLAKE. 57 00:04:52,290 --> 00:04:55,920 YOU'LL SEE. 58 00:04:55,920 --> 00:04:58,000 >> Blake: BLAKE. 59 00:04:58,000 --> 00:05:02,330 YOU KNOW, WHEN STEVEN WAS BORN, HIS MOTHER WANTED TO NAME HIM 60 00:05:02,330 --> 00:05:04,540 BLAKE, AND I SAID... 61 00:05:04,540 --> 00:05:07,120 WELL, I SAID NO. 62 00:05:07,120 --> 00:05:08,420 I DON'T KNOW THE REASON WHY. 63 00:05:08,420 --> 00:05:13,670 I JUST SAID, "LET'S NAME HIM AFTER YOUR FATHER." 64 00:05:13,670 --> 00:05:16,170 YOU THINK THE BOY MIGHT HAVE SENSED THAT? 65 00:05:16,170 --> 00:05:19,420 DO YOU THINK, UH, DO YOU THINK THAT COULD HAVE AFFECTED HIM IN 66 00:05:19,420 --> 00:05:20,830 SOME WAY? 67 00:05:20,830 --> 00:05:25,170 >> Krystle: I DON'T THINK SO. 68 00:05:25,170 --> 00:05:30,000 >> Blake: KRYSTLE, OUR CHILD, WHEN WE HAVE ONE -- AND I KNOW 69 00:05:30,000 --> 00:05:36,960 WE'RE GOING TO HAVE ONE SOON -- WE'LL CALL HIM BLAKE, ALL RIGHT? 70 00:05:36,960 --> 00:06:03,670 OUR CHILD, THE ONE THAT YOU WILL GIVE ME. 71 00:06:03,670 --> 00:06:05,120 >> Claudia: HI, HONEY. 72 00:06:05,120 --> 00:06:11,210 BE READY IN A MINUTE. 73 00:06:11,210 --> 00:06:14,080 >> Matthew: >> Claudia: I'M LOOKING FOR A 74 00:06:25,330 --> 00:06:26,960 JOB. 75 00:06:26,960 --> 00:06:29,750 >> Matthew: WHY? 76 00:06:29,750 --> 00:06:34,170 >> Claudia: WELL... 77 00:06:34,170 --> 00:06:37,330 I WANT A JOB. 78 00:06:37,330 --> 00:06:39,750 IT'S PIPING HOT, SO BLOW ON IT. 79 00:06:39,750 --> 00:06:41,460 >> Matthew: CLAUDIA... 80 00:06:41,460 --> 00:06:44,250 THINGS, FINANCIALLY, THEY'RE NOT THAT ROUGH. 81 00:06:44,250 --> 00:06:47,170 IN FACT, THEY'RE GETTING PRETTY GOOD AGAIN. 82 00:06:47,170 --> 00:06:48,620 >> Claudia: I KNOW THAT. 83 00:06:48,620 --> 00:06:50,210 I'M GLAD. 84 00:06:50,210 --> 00:06:52,040 I WANT TO GO TO WORK. 85 00:06:52,040 --> 00:07:00,620 MAYBE THAT'S A BETTER WAY OF PUTTING IT. 86 00:07:00,620 --> 00:07:02,540 >> Matthew: WHAT ABOUT LINDSAY? 87 00:07:02,540 --> 00:07:06,120 DON'T YOU THINK SHE NEEDS YOU MORE THAN YOU NEED A JOB? 88 00:07:06,120 --> 00:07:08,460 >> Claudia: WELL, OF COURSE SHE DOES. 89 00:07:08,460 --> 00:07:10,460 SHE'S AT SCHOOL MOST OF THE DAY. 90 00:07:10,460 --> 00:07:13,040 ANYWAY, I DON'T PLAN ON WORKING NIGHTS. 91 00:07:13,040 --> 00:07:18,290 I'LL BE HOME EVERY DAY FROM ABOUT 4:00 TO 5:00. 92 00:07:18,290 --> 00:07:21,040 >> Matthew: CLAUDIA, I CAN SUPPORT MY FAMILY. 93 00:07:21,040 --> 00:07:23,420 I DON'T NEED FOR ANYONE TO THINK OTHERWISE. 94 00:07:23,420 --> 00:07:26,040 >> Claudia: MATTHEW, NOBODY'S GONNA THINK THAT. 95 00:07:26,040 --> 00:07:27,460 >> Matthew: THEN GOOD. 96 00:07:27,460 --> 00:07:28,290 IT'S SETTLED. 97 00:07:28,290 --> 00:07:31,000 NO MORE TALK OF WORK AND JOBS AND ALL THAT. 98 00:07:31,000 --> 00:07:34,380 >> Claudia: MATTHEW, IT IS NOT SETTLED. 99 00:07:34,380 --> 00:07:39,210 IT'S NOT SETTLED AT ALL. 100 00:07:39,210 --> 00:07:43,460 >> Matthew: >> Claudia: DON'T WORRY. 101 00:07:43,460 --> 00:07:46,580 NOBODY'S GOING TO SAY THAT MATTHEW BLAISDEL NEEDS HORMONE 102 00:07:46,580 --> 00:07:50,250 SHOTS JUST 'CAUSE HIS WIFE'S GOT A PART-TIME JOB. 103 00:07:50,250 --> 00:07:52,750 I'M SORRY. I DIDN'T MEAN THAT. 104 00:07:52,750 --> 00:07:55,380 LOOK, I NEVER WENT TO COLLEGE, YOU KNOW? 105 00:07:55,380 --> 00:07:57,170 I'M NOT BLAMING YOU FOR THAT. 106 00:07:57,170 --> 00:08:00,250 >> Matthew: I MADE YOU A MOTHER AT 16. 107 00:08:00,250 --> 00:08:03,460 >> Claudia: YOU DIDN'T DO IT BY YOURSELF, YOU KNOW. 108 00:08:03,460 --> 00:08:06,460 >> Matthew: I KNOW, BUT... 109 00:08:06,460 --> 00:08:11,040 WELL...IT SEEMS THAT... 110 00:08:11,040 --> 00:08:16,080 YOU HAD SO MUCH GOING FOR YOU, I MEAN AHEAD OF YOU AND ALL. 111 00:08:16,080 --> 00:08:18,210 YOU NEVER GOT TO GO TO COLLEGE. 112 00:08:18,210 --> 00:08:22,120 YOU DIDN'T EVEN FINISH -- >> Claudia: IT DOESN'T MATTER. 113 00:08:22,120 --> 00:08:25,080 WE WERE KIDS. 114 00:08:25,080 --> 00:08:27,460 WE GOT INTO TROUBLE. 115 00:08:27,460 --> 00:08:29,830 WE MADE A MISTAKE. 116 00:08:29,830 --> 00:08:33,500 WE HAVE TO FIGURE OUT A WAY TO STOP PUNISHING EACH OTHER, TO 117 00:08:33,500 --> 00:08:35,210 FORGIVE EACH OTHER FOR THAT. 118 00:08:35,210 --> 00:08:40,880 >> Matthew: I KNOW. 119 00:08:40,880 --> 00:08:43,000 >> Claudia: BREAKFAST IS READY. 120 00:08:43,000 --> 00:08:44,330 >> Lindsay: NO. 121 00:08:44,330 --> 00:08:46,080 I'M NOT VERY HUNGRY. 122 00:08:46,080 --> 00:08:47,210 AND I'M LATE. 123 00:08:47,210 --> 00:08:49,040 >> Claudia: NO. IT'S EARLY. 124 00:08:49,040 --> 00:08:52,880 >> Lindsay: I'M REALLY LATE, AND I HAVE TO GO. 125 00:09:45,080 --> 00:09:46,420 >> Tom: HEY, MATTHEW. 126 00:09:46,420 --> 00:09:47,620 >> Matthew: TOM. 127 00:09:47,620 --> 00:09:49,040 IS THERE A PROBLEM? 128 00:09:49,040 --> 00:09:50,000 >> Tom: YEAH. 129 00:09:50,000 --> 00:09:52,920 THE OLD RIG WAS RUNNING PRETTY SMOOTH THERE FOR A WHILE. 130 00:09:52,920 --> 00:09:54,830 SOMETHING FUNNY STARTED HAPPENING. 131 00:09:54,830 --> 00:09:57,790 I THINK MAYBE YOU'D BETTER TAKE A LOOK AT THAT B.O.P. 132 00:09:57,790 --> 00:10:00,000 >> Matthew: WHY DON'T YOU GET WALTER TO DO IT? 133 00:10:00,000 --> 00:10:01,080 I GOT TO MAKE A PHONE CALL. 134 00:10:01,080 --> 00:10:02,500 >> Tom: WALTER'S SACKED OUT. 135 00:10:02,500 --> 00:10:03,920 HE'S BEEN WORKING ALL NIGHT. 136 00:10:03,920 --> 00:10:06,670 YOU REALLY DON'T WANT ME TO WAKE HIM UP, DO YOU? 137 00:10:06,670 --> 00:10:08,540 >> Matthew: NOT IF YOU VALUE YOUR LIFE. 138 00:10:08,540 --> 00:10:09,960 ALL RIGHT. LET'S TAKE A LOOK. 139 00:10:09,960 --> 00:10:12,790 >> Tom: LISTEN, MATTHEW, I TOLD MY BROTHER-IN-LAW TO STOP BY AND 140 00:10:12,790 --> 00:10:13,170 SEE YOU. 141 00:10:13,170 --> 00:10:17,380 HE'S A GOOD ROUGHNECK. 142 00:10:17,380 --> 00:10:20,460 >> Matthew: YOU KNOW WHAT I'M 143 00:10:51,920 --> 00:10:52,420 THINKING? 144 00:10:52,420 --> 00:10:54,040 SOMEBODY PULLED THIS SCREW OUT. 145 00:10:54,040 --> 00:10:55,170 THAT'S WHY WE TWISTED OFF. 146 00:10:55,170 --> 00:10:57,000 AND I THINK I KNOW WHO DID IT. 147 00:11:18,380 --> 00:11:20,960 >> Ed: HE'S LOOKING AT AN ORANGUTAN. 148 00:11:20,960 --> 00:11:24,000 HE SAYS, "LOOK, MAN, YOU'RE COSTING ME MONEY!" 149 00:11:30,040 --> 00:11:32,960 THE ORANGUTAN LOOKS UP, AND HE SAYS, "IF YOU'RE CHARGIN' THEM 150 00:11:32,960 --> 00:11:35,830 10 BUCKS A BOURBON LIKE YOU'RE CHARGING ME, YOU'RE GONNA LOSE 151 00:11:35,830 --> 00:11:37,170 THEM AND ME AT THE SAME TIME." 152 00:11:46,330 --> 00:11:49,880 HEY, YOU RUN 'EM AGAIN, I'M GONNA START CRYING A LOT. 153 00:11:49,880 --> 00:11:52,880 HEY. 154 00:11:52,880 --> 00:11:54,170 >> Matthew: HEY. 155 00:11:54,170 --> 00:11:55,830 >> Ed: HOW YOU DOIN', MATT? 156 00:11:55,830 --> 00:11:57,830 >> Matthew: FINE. JUST FINE. 157 00:11:57,830 --> 00:12:00,920 THOUGHT I'D CATCH UP WITH YOU AT THE RIG. 158 00:12:00,920 --> 00:12:03,290 >> Ed: WELL, I'M JUST TAKING A BREAK. 159 00:12:03,290 --> 00:12:04,710 A MAN'S ENTITLED. 160 00:12:04,710 --> 00:12:06,330 >> Matthew: SURE IS. 161 00:12:06,330 --> 00:12:09,500 >> Ed: AND BESIDES, I'M CELEBRATING. 162 00:12:09,500 --> 00:12:11,790 YOU GOT ALL THE MONEY AGAIN TO START OVER THE WORK. 163 00:12:11,790 --> 00:12:13,040 HOW'D YOU GET IT, ANYWAY? 164 00:12:13,040 --> 00:12:15,830 >> Matthew: I'VE MADE IT A PRACTICE NEVER TO DISCUSS MY 165 00:12:15,830 --> 00:12:17,790 BUSINESS WITH OTHER PEOPLE. 166 00:12:17,790 --> 00:12:19,620 >> Ed: GOOD IDEA. 167 00:12:19,620 --> 00:12:21,120 WELL, WHAT'S ON YOUR MIND? 168 00:12:21,120 --> 00:12:24,920 >> Matthew: OH, BEER... 169 00:12:24,920 --> 00:12:26,920 A LITTLE CONVERSATION. 170 00:12:26,920 --> 00:12:28,620 >> Ed: WELL, SOUNDS GOOD TO ME. 171 00:12:28,620 --> 00:12:31,620 EXCEPT MY FRIEND HERE, THE HUSTLER, HAS JUST LEFT ME 172 00:12:31,620 --> 00:12:34,420 SOMETHING TO PLAY WITH. 173 00:12:34,420 --> 00:12:40,580 >> Matthew: STEVEN CARRINGTON 174 00:12:40,580 --> 00:12:42,380 DIDN'T TWIST US OFF. 175 00:12:42,380 --> 00:12:47,580 HE WAS SET UP. 176 00:12:47,580 --> 00:12:51,620 >> Ed: YOU SAYING THAT I DID THAT, MATTHEW? 177 00:12:51,620 --> 00:12:54,620 >> Matthew: TAKE IT ANY WAY YOU WANT. 178 00:12:54,620 --> 00:12:56,920 >> Ed: WELL, WHY DON'T YOU GO BACK AND ASK YOUNG 179 00:12:56,920 --> 00:12:58,540 MISS CARRINGTON ABOUT IT, HUH? 180 00:12:58,540 --> 00:13:01,000 >> Matthew: I'M ASKING YOU. 181 00:13:01,000 --> 00:13:04,000 >> Ed: WELL, A KIND OF QUESTION LIKE THAT COULD END UP WITH, UH, 182 00:13:04,000 --> 00:13:05,380 YOU CHEWING ON A CUE STICK. 183 00:13:05,380 --> 00:13:08,710 IF YOU GET MY MEANING, HUH? 184 00:13:08,710 --> 00:13:13,790 WHY DON'T YOU GO BACK AND ASK YOUR SISSY FRIEND? 185 00:13:13,790 --> 00:13:17,040 >> Matthew: I'D RATHER HAVE A SISSY FOR A FRIEND THAN A SNEAK 186 00:13:17,040 --> 00:13:19,920 AND A COWARD. 187 00:13:28,040 --> 00:13:31,670 >> Ed: ARE YOU SAYING THAT ABOUT ME, MATT? 188 00:13:31,670 --> 00:13:34,420 >> Matthew: I DON'T SEE ANYONE ELSE IN THIS ROOM THAT FITS THAT 189 00:13:34,420 --> 00:13:35,830 DESCRIPTION. 190 00:13:35,830 --> 00:13:40,790 >> Ed: 191 00:13:44,920 --> 00:13:49,580 >> COME ON, YOU GUYS! 192 00:13:49,580 --> 00:13:50,380 BREAK IT UP! 193 00:13:50,380 --> 00:13:51,170 HEY! 194 00:13:51,170 --> 00:13:57,960 >> Matthew: 195 00:13:57,960 --> 00:13:58,790 >> GET UP HERE! 196 00:13:58,790 --> 00:14:00,170 LET'S GO! COME ON! 197 00:14:04,460 --> 00:14:08,250 >> Ed: 198 00:14:17,880 --> 00:14:21,750 >> Ed: 199 00:14:45,250 --> 00:14:46,380 >> Matthew: WHO PAID YOU? 200 00:14:46,380 --> 00:14:47,250 >> Ed: YOU'RE CRAZY! 201 00:14:47,250 --> 00:14:49,040 >> Matthew: WHO PAID YOU TO TWIST US OFF? 202 00:14:49,040 --> 00:14:52,460 >> Ed: LET ME GO! YOU'RE CRAZY! 203 00:14:52,460 --> 00:14:53,710 >> Matthew: WHO?! 204 00:14:53,710 --> 00:14:55,920 >> Ed: I DID IT ON MY OWN. 205 00:14:55,920 --> 00:14:58,540 >> Matthew: 206 00:14:58,540 --> 00:15:03,790 >> Ed: 207 00:15:03,790 --> 00:15:06,790 >> Matthew: WHO, DAMN YOU?! 208 00:15:06,790 --> 00:15:08,040 WHO?! 209 00:15:08,040 --> 00:15:09,540 >> Ed: CARRINGTON'S PEOPLE. 210 00:15:09,540 --> 00:15:11,710 >> Matthew: I'M GONNA GIVE YOU SOME ADVICE. 211 00:15:11,710 --> 00:15:14,330 I DON'T WANT TO SEE YOUR MISERABLE FACE AGAIN. 212 00:15:14,330 --> 00:15:16,210 YOU GOT THAT? 213 00:15:27,210 --> 00:15:57,750 >> Ed: 214 00:15:57,750 --> 00:16:01,460 >> Blake: WELL, MATTHEW. 215 00:16:01,460 --> 00:16:04,290 YOU LOOK LIKE YOU'VE BEEN IN SOME KIND OF A SCRAPE. 216 00:16:04,290 --> 00:16:06,880 >> Matthew: YOU'VE PROBABLY HEARD ABOUT IT BY NOW. 217 00:16:06,880 --> 00:16:09,670 >> Blake: AND WHO WAS THE UNLUCKY MAN AT THE OTHER END OF 218 00:16:09,670 --> 00:16:11,540 THOSE SOMETIMES-NOTORIOUS FISTS? 219 00:16:11,540 --> 00:16:13,460 >> Matthew: NAMES DON'T MEAN ANYTHING. 220 00:16:13,460 --> 00:16:16,210 >> Blake: NONE OF MY BUSINESS, HUH? 221 00:16:16,210 --> 00:16:18,670 WELL, CAN I POUR YOU A DRINK? 222 00:16:18,670 --> 00:16:19,830 >> Matthew: NO. 223 00:16:19,830 --> 00:16:22,620 >> Blake: HOW ABOUT A HAVANA? 224 00:16:22,620 --> 00:16:24,790 I KNOW YOU DON'T WANT YOUR OLD JOB BACK. 225 00:16:24,790 --> 00:16:25,710 HEARD YOUR GOOD NEWS. 226 00:16:25,710 --> 00:16:27,880 YOU'RE IN BUSINESS AGAIN, YOU AND WALTER. 227 00:16:27,880 --> 00:16:29,620 >> Matthew: THAT'S RIGHT, BLAKE. 228 00:16:29,620 --> 00:16:32,040 >> Blake: WELL, ALL RIGHT, THEN, MATTHEW. 229 00:16:32,040 --> 00:16:35,250 WHAT ARE YOU HERE FOR? 230 00:16:35,250 --> 00:16:38,710 >> Matthew: I WANT TO KNOW WHAT KIND OF MAN WOULD LET HIS SON 231 00:16:38,710 --> 00:16:41,330 TAKE THE RAP FOR SOMETHING HE DIDN'T DO. 232 00:16:41,330 --> 00:16:44,000 SOMETHING HIS OWN FATHER SET UP. 233 00:16:44,000 --> 00:16:46,170 >> Blake: OH, THAT, HUH? 234 00:16:46,170 --> 00:16:51,170 SO I'M SUSPECTED OF THAT, AM I? 235 00:16:51,170 --> 00:16:54,420 THE TROUBLE WITH YOU, MATTHEW, IS TWO THINGS. 236 00:16:54,420 --> 00:16:58,670 ONE, YOU'RE AS QUICK WITH YOUR ACCUSATIONS AS YOU ARE SOMETIMES 237 00:16:58,670 --> 00:16:59,790 WITH YOUR FISTS. 238 00:16:59,790 --> 00:17:03,960 AND TWO, YOU'RE REALLY VERY EMOTIONAL, AREN'T YOU? 239 00:17:03,960 --> 00:17:08,830 I MEAN, UNDER THAT COOL LAYER OF HIDE THERE SITS AND EMOTIONAL 240 00:17:08,830 --> 00:17:13,670 STREAK THAT SAYS SOMETHING TO ME -- THAT YOU'RE NOT CUT OUT 241 00:17:13,670 --> 00:17:22,710 FOR THAT NEW MANAGERIAL POSITION OF YOURS. 242 00:17:22,710 --> 00:17:26,210 >> Matthew: YOU KNOW, BLAKE, I USED TO RESPECT YOU. 243 00:17:26,210 --> 00:17:30,210 I USED TO THINK YOU WERE THE SMARTEST MAN I'D EVER KNOWN. 244 00:17:30,210 --> 00:17:31,670 BUT YOU'RE LOSING IT. 245 00:17:31,670 --> 00:17:32,750 YOU'RE DYING IN IT. 246 00:17:32,750 --> 00:17:34,750 YOU'RE OPERATING THE OLD WAY. 247 00:17:34,750 --> 00:17:38,330 TROUBLE IS, THE DAY OF THE OLD TYCOON AND THE OIL BARON IS 248 00:17:38,330 --> 00:17:39,540 OVER. 249 00:17:39,540 --> 00:17:44,170 AND LIKE THEM, YOU DON'T HAVE ANY VALUES ANYMORE. 250 00:17:44,170 --> 00:17:47,580 YOU DON'T GIVE A DAMN ABOUT ANYBODY OR ANYTHING. 251 00:17:47,580 --> 00:17:49,170 >> Blake: OH, COME ON, MATTHEW. 252 00:17:49,170 --> 00:17:51,830 YOU'RE TALKING ABOUT AMERICA -- THE AMERICAN DREAM. 253 00:17:51,830 --> 00:17:55,580 LAISSEZ FAIRE, MOTHER, APPLE PIE, PETROLEUM... 254 00:17:55,580 --> 00:17:59,000 >> Matthew: I'M TALKING ABOUT HOW YOU POISON JUST ABOUT EVERY 255 00:17:59,000 --> 00:18:00,460 DAMN THING YOU TOUCH. 256 00:18:00,460 --> 00:18:02,790 >> Matthew: JUST ABOUT EVERYTHING, HUH? 257 00:18:02,790 --> 00:18:07,710 INCLUDING MY WIFE? 258 00:18:07,710 --> 00:18:11,880 DOES THAT INCLUDE THE ONLY THING THAT YOU REALLY WANT? 259 00:18:11,880 --> 00:18:13,290 I KNOW YOU, MATTHEW. 260 00:18:13,290 --> 00:18:14,670 WE'VE BEEN FRIENDS. 261 00:18:14,670 --> 00:18:16,120 WE'VE BEEN ENEMIES, TOO. 262 00:18:16,120 --> 00:18:18,790 I KNOW ONE THING ABOUT YOU -- THAT YOU'RE HONEST. 263 00:18:18,790 --> 00:18:23,540 SO YOU LOOK ME RIGHT IN THE EYE AND YOU TELL ME THAT YOU STILL 264 00:18:23,540 --> 00:18:27,500 DON'T THINK ABOUT KRYSTLE EVERY NIGHT AND EVERY DAY. 265 00:18:27,500 --> 00:18:30,790 DAY AND NIGHT. 266 00:18:30,790 --> 00:18:55,120 YOU DO THAT, AND I'LL CALL OFF MY DOGS. 267 00:18:55,120 --> 00:18:57,670 >> Fallon: OH, MRS. GUNNERSON, IS THAT FOR ME? 268 00:18:57,670 --> 00:18:59,670 >> Mrs. Gunnerson: NO, IT'S FOR STEVEN. 269 00:18:59,670 --> 00:19:01,750 DO YOU KNOW IF HE'S STILL IN HIS ROOM? 270 00:19:01,750 --> 00:19:03,580 >> Fallon: UH, I THINK SO. 271 00:19:03,580 --> 00:19:05,790 OH, MRS. GUNNERSON, I FORGOT SOMETHING. 272 00:19:05,790 --> 00:19:07,380 I'M GOING BACK UPSTAIRS. 273 00:19:07,380 --> 00:19:08,960 I'LL GIVE IT TO HIM. 274 00:19:08,960 --> 00:19:11,580 MRS. GUNNERSON? 275 00:19:11,580 --> 00:19:13,830 >> Mrs. Gunnerson: OF COURSE. 276 00:19:34,040 --> 00:19:36,620 >> Steven: GET THEE BEHIND ME, SATAN. 277 00:19:36,620 --> 00:19:40,290 >> Fallon: UH, IT'S FOR YOU, STEVEN. 278 00:19:40,290 --> 00:19:41,710 >> Steven: WELL, HOW ABOUT THAT? 279 00:19:41,710 --> 00:19:43,790 >> Fallon: WELL, IT COULD'VE BEEN FOR ME. 280 00:19:43,790 --> 00:19:45,330 THE "STEVEN" ISN'T VERY CLEAR. 281 00:19:45,330 --> 00:19:48,170 BESIDES, I THOUGHT IT MIGHT BE AN EMERGENCY FROM JEFF IN THE 282 00:19:48,170 --> 00:19:50,790 MIDDLE EAST, DODGING ALL THE CROSS FIRE AND STUFF. 283 00:19:50,790 --> 00:19:52,790 >> Steven: YOU DON'T LIKE HIM BEING THERE. 284 00:19:52,790 --> 00:19:55,880 >> Fallon: I THINK IT WAS PRETTY DUMB OF HIS UNCLE TO SEND HIM 285 00:19:55,880 --> 00:19:56,670 RIGHT NOW. 286 00:19:56,670 --> 00:19:59,670 >> Steven: CECIL COLBY OBVIOUSLY KNOWS THAT HE'S GONNA DO A 287 00:19:59,670 --> 00:20:02,960 PRETTY GOOD JOB, OTHERWISE HE WOULD HAVE SENT SOMEBODY ELSE. 288 00:20:02,960 --> 00:20:04,960 >> Fallon: AREN'T YOU GONNA OPEN IT? 289 00:20:04,960 --> 00:20:06,750 >> Steven: YES, I AM. 290 00:20:06,750 --> 00:20:09,830 >> Fallon: WELL, WHO DO YOU THINK IT'S FROM, STEVIE? 291 00:20:09,830 --> 00:20:17,380 >> Steven: OH, I KNOW WHO IT'S FROM, FALLON. 292 00:20:27,380 --> 00:20:28,750 >> Tania: LINDSAY! 293 00:20:28,750 --> 00:20:30,540 ARE YOU AT LEAST TALKING TO ME? 294 00:20:30,540 --> 00:20:34,120 LOOK, MRS. NEMROVE IS HOLDING THE PART OPEN FOR YOU. 295 00:20:34,120 --> 00:20:36,170 >> Lindsay: I DON'T WANT TO DO IT. 296 00:20:36,170 --> 00:20:38,750 >> Tania: WELL, YOU DON'T HAVE TO KISS HIM. 297 00:20:38,750 --> 00:20:40,580 WHAT ARE YOUR PARENTS GOING TO SAY? 298 00:20:40,580 --> 00:20:42,040 >> Lindsay: I DON'T KNOW. 299 00:20:42,040 --> 00:20:42,620 I DON'T CARE. 300 00:20:42,620 --> 00:20:45,250 >> Tania: YOUR MOM TOLD MY MOM THAT SHE'S NEARLY FINISHED 301 00:20:45,250 --> 00:20:46,210 MAKING YOUR COSTUME. 302 00:20:46,210 --> 00:20:48,670 >> Lindsay: WOULD YOU LAY OFF ABOUT MY PARENTS, TANIA, 303 00:20:48,670 --> 00:20:50,460 PLEASE?! 304 00:20:50,460 --> 00:20:55,250 >> Tania: I'M SORRY. 305 00:20:55,250 --> 00:20:56,960 OH, LINDSAY, WHAT'S WITH YOU? 306 00:20:56,960 --> 00:20:58,290 ARE YOU IN TROUBLE? 307 00:20:58,290 --> 00:21:01,790 I MEAN, WHEN YOU CUT CLASS -- >> Lindsay: YOU WANT TO KNOW 308 00:21:01,790 --> 00:21:02,710 WHERE I WENT? 309 00:21:02,710 --> 00:21:05,710 I'LL TELL YOU, AND I DON'T CARE WHO YOU TELL! 310 00:21:05,710 --> 00:21:10,710 I WENT TO THE COUNTY CLERK'S 311 00:21:10,710 --> 00:21:15,750 OFFICE...TO CHECK ON MY PARENTS' MARRIAGE CERTIFICATE. 312 00:21:15,750 --> 00:21:19,250 I FOUND OUT THEY HAD TO GET 313 00:21:19,250 --> 00:21:21,330 MARRIED BECAUSE OF ME! 314 00:21:21,330 --> 00:21:22,540 >> Tania: OH. 315 00:21:22,540 --> 00:21:24,750 WELL, HEY, THAT -- THAT'S OKAY. 316 00:21:24,750 --> 00:21:25,710 I MEAN, COME ON. 317 00:21:25,710 --> 00:21:28,620 YOU'RE NOT THE FIRST ONE THAT'S HAPPENED TO. 318 00:21:28,620 --> 00:21:30,250 AND IT'S NOT YOUR FAULT. 319 00:21:30,250 --> 00:21:33,420 WELL, I MEAN, IT'S NOT YOUR PARENTS' FAULT, EITHER. 320 00:21:33,420 --> 00:21:36,210 MAYBE THEY COULDN'T HELP THEMSELVES. 321 00:21:36,210 --> 00:21:38,540 >> Lindsay: >> Tania: OH, LINDSAY. 322 00:21:38,540 --> 00:21:40,750 IT'S NOT THE END OF THE WORLD. 323 00:21:40,750 --> 00:21:43,420 >> Lindsay: 324 00:22:02,620 --> 00:22:04,170 >> Claudia: HI, DARLING. 325 00:22:04,170 --> 00:22:05,170 >> Matthew: HI. 326 00:22:05,170 --> 00:22:09,420 >> Claudia: YOU HAVE AN ACCIDENT? 327 00:22:09,420 --> 00:22:11,250 >> Matthew: NOTHING BIG. 328 00:22:11,250 --> 00:22:13,330 >> Claudia: YOU LOOK TIRED. 329 00:22:13,330 --> 00:22:15,620 >> Matthew: WELL, I GUESS I AM. 330 00:22:26,460 --> 00:22:27,670 I DON'T KNOW. 331 00:22:27,670 --> 00:22:31,500 I JUST FELT LIKE...I WANTED TO COME HOME AND SPEND A LITTLE 332 00:22:31,500 --> 00:22:32,880 TIME WITH MY FAMILY. 333 00:22:32,880 --> 00:22:35,710 WALTER'S HANDLING THINGS, AND BOBBY'S COME BACK. 334 00:22:35,710 --> 00:22:39,460 IS THAT THE DRESS LINDSAY'S WEARING FOR THE PLAY? 335 00:22:39,460 --> 00:22:40,830 THAT'S PRETTY. 336 00:22:40,830 --> 00:22:43,620 WHERE IS SHE? 337 00:22:43,620 --> 00:22:46,330 >> Claudia: SHE'S UPSTAIRS IN BED. 338 00:22:46,330 --> 00:22:48,080 >> Matthew: THIS EARLY? 339 00:22:48,080 --> 00:22:50,420 >> Claudia: SHE SAID SHE WASN'T FEELING WELL. 340 00:22:50,420 --> 00:22:52,620 I THINK THERE'S SOMETHING GOING AROUND. 341 00:22:52,620 --> 00:22:55,420 >> Matthew: MM-HMM. 342 00:22:55,420 --> 00:23:00,250 >> Claudia: I'LL FIX YOU SOME 343 00:23:00,250 --> 00:23:01,210 PORKCHOPS, OKAY? 344 00:23:01,210 --> 00:23:02,330 THEY'RE REALLY GOOD. 345 00:23:02,330 --> 00:23:03,670 >> Matthew: NO, HONEY. NO, NO. 346 00:23:03,670 --> 00:23:05,250 I...I ATE WITH THE CREW. 347 00:23:05,250 --> 00:23:06,620 >> Claudia: ARE YOU SURE? 348 00:23:06,620 --> 00:23:11,330 >> Matthew: I'M SURE. 349 00:23:11,330 --> 00:23:13,710 I'M GONNA GO LOOK IN ON LINDSAY. 350 00:24:41,330 --> 00:24:42,710 >> Krystle: HERE YOU ARE. 351 00:24:42,710 --> 00:24:44,500 >> Blake: I DIDN'T ASK FOR THAT. 352 00:24:44,500 --> 00:24:47,960 >> Krystle: WELL, I KNOW, BUT I THOUGHT YOU MIGHT WANT SOME. 353 00:24:47,960 --> 00:24:49,790 >> Blake: KRYSTLE, I'M BUSY. 354 00:24:49,790 --> 00:24:53,330 SEE, I'M TRYING TO MAKE SOME SENSE OUT OF THIS MESS. 355 00:24:53,330 --> 00:24:58,670 >> Krystle: CAN'T IT WAIT TILL MORNING? 356 00:24:58,670 --> 00:25:00,380 ARE YOU COMING TO BED? 357 00:25:00,380 --> 00:25:01,580 >> Blake: YEAH. IN A WHILE. 358 00:25:01,580 --> 00:25:04,460 SOON. SOON. 359 00:25:43,500 --> 00:25:45,420 >> Fallon: HI! 360 00:25:45,420 --> 00:25:48,460 >> Krystle: HELLO, FALLON. 361 00:25:48,460 --> 00:25:51,040 DID YOU HAVE A GOOD TIME? 362 00:25:51,040 --> 00:25:53,040 >> Fallon: YES, I DID. 363 00:25:53,040 --> 00:25:55,040 SORRY TO DISAPPOINT YOU. 364 00:25:55,040 --> 00:25:57,500 >> Krystle: WHY WOULD THAT DISAPPOINT ME? 365 00:25:57,500 --> 00:26:00,880 >> Fallon: WELL, BECAUSE MY HUSBAND'S OUT OF TOWN, AND 366 00:26:00,880 --> 00:26:04,380 ACCORDING TO YOUR BOURGEOIS ETHICAL SYSTEM, I SHOULD HAVE 367 00:26:04,380 --> 00:26:08,000 BEEN LOCKED IN MY ROOM WITH A BRONTE NOVEL. 368 00:26:08,000 --> 00:26:10,670 IN CASE YOU'RE INTERESTED, MY ESCORT TONIGHT WAS 369 00:26:10,670 --> 00:26:14,750 "MUFFINS" BEGLEY -- YOU KNOW, OF BEGLEY BED. 370 00:26:14,750 --> 00:26:17,580 I MEAN BEGLEY BREAD. 371 00:26:17,580 --> 00:26:23,500 BEGLEY BREAD AND MUFFINS AND, UM, PASTRIES -- WHATEVER. 372 00:26:23,500 --> 00:26:27,330 UM, IS DAD HOME? 373 00:26:27,330 --> 00:26:31,120 IS STEVEN HOME? 374 00:26:31,120 --> 00:26:33,580 OH. GOOD NIGHT. 375 00:27:31,500 --> 00:27:33,670 >> Fallon: BACKGAMMON, ANYONE? 376 00:27:33,670 --> 00:27:34,670 MONOPOLY? 377 00:27:34,670 --> 00:27:37,500 STEAL THE OLD MAN'S BUNDLE? 378 00:27:37,500 --> 00:27:39,580 ANYTHING TO CHEER UP A DESERTED OLD WIFE? 379 00:27:39,580 --> 00:27:42,670 >> Steven: HOW ABOUT LETTING A LITTLE OLD BROTHER GET SOME 380 00:27:42,670 --> 00:27:43,460 SLEEP? 381 00:27:43,460 --> 00:27:44,500 >> Fallon: WHY? 382 00:27:44,500 --> 00:27:47,290 WHAT DID YOU DO TODAY THAT YOU'RE SO TIRED? 383 00:27:47,290 --> 00:27:49,920 >> Steven: I SPENT THE WHOLE DAY THINKING. 384 00:27:49,920 --> 00:27:50,920 >> Fallon: OH. 385 00:27:50,920 --> 00:27:54,000 GOD KNOWS THAT CAN BE WORSE THAN WORK. 386 00:27:54,000 --> 00:27:55,540 THINKING ABOUT WHAT? 387 00:27:55,540 --> 00:27:58,620 >> Steven: ABOUT WHAT I'M GOING TO DO. 388 00:27:58,620 --> 00:28:01,500 >> Fallon: WELL, THERE'S DAD'S OFFER. 389 00:28:01,500 --> 00:28:04,290 DON'T SELL HIM SHORT, STEVIE. 390 00:28:04,290 --> 00:28:05,460 OKAY. 391 00:28:05,460 --> 00:28:09,880 I'VE WAITED ALL DAY TO ASK -- AND THAT'S A RECORD -- WHO'D YOU 392 00:28:09,880 --> 00:28:11,460 GET THE TELEGRAM FROM? 393 00:28:11,460 --> 00:28:14,500 >> Steven: YOU KNOW THAT, FALLON. 394 00:28:14,500 --> 00:28:16,540 >> Fallon: YOUR TED? 395 00:28:16,540 --> 00:28:18,620 >> Steven: TED. 396 00:28:18,620 --> 00:28:21,080 >> Fallon: AND TED SAID, OR SAID TED... 397 00:28:21,080 --> 00:28:24,460 >> Steven: THAT HE WAS GOING TO BE IN LOS ANGELES TOMORROW AND 398 00:28:24,460 --> 00:28:27,580 THAT HE WAS GOING TO BE IN SAN FRANCISCO THE DAY AFTER 399 00:28:27,580 --> 00:28:31,670 TOMORROW AND HE WANTED ME TO MEET HIM AT EITHER PLACE. 400 00:28:31,670 --> 00:28:32,330 OKAY? 401 00:28:32,330 --> 00:28:35,580 >> Fallon: WELL, THE QUESTION IS, IS IT OKAY WITH YOU? 402 00:28:35,580 --> 00:28:39,460 I MEAN, DO YOU WANT TO MEET HIM OR BE WITH HIM IN EITHER PLACE? 403 00:28:39,460 --> 00:28:42,670 >> Steven: I'M NOT SURE. 404 00:28:42,670 --> 00:28:47,120 >> Fallon: STEVEN, REMEMBER WHEN YOU WERE 405 00:28:47,120 --> 00:28:47,670 LITTLE? 406 00:28:47,670 --> 00:28:51,330 YOU HAD EVERY LITTLE GIRL IN THIS PLACE DOING FLIP-FLOPS ALL 407 00:28:51,330 --> 00:28:52,290 OVER YOU. 408 00:28:52,290 --> 00:28:55,880 HOW DID YOU FEEL THEN ABOUT THOSE GIRLS? 409 00:28:55,880 --> 00:28:58,500 >> Steven: I WAS ATTRACTED... 410 00:28:58,500 --> 00:29:01,040 AND THAT THEY WERE VERY PRETTY, A LOT OF THEM. 411 00:29:01,040 --> 00:29:04,170 >> Fallon: WELL, SOME OF THEM STILL ARE, AND THEY'RE STILL 412 00:29:04,170 --> 00:29:06,330 DOING FLIP-FLOPS, TOO. 413 00:29:06,330 --> 00:29:09,540 HAVE YOU EVER TRIED WITH ONE OF THEM? 414 00:29:09,540 --> 00:29:14,330 HAVE YOU EVER TRIED WITH ANY GIRL? 415 00:29:14,330 --> 00:29:18,330 YOU HAVEN'T, HAVE YOU? 416 00:29:18,330 --> 00:29:22,080 STEVEN...IF YOU HAVEN'T EVEN TRIED, HOW ARE YOU GONNA KNOW 417 00:29:22,080 --> 00:29:25,830 WHO YOU REALLY ARE OR WHAT YOU ARE? 418 00:29:25,830 --> 00:29:29,460 >> Steven: MAYBE I'LL NEVER KNOW, FALLON. 419 00:29:29,460 --> 00:29:32,460 >> Fallon: I DON'T KNOW WHY WE ARE WHAT WE ARE. 420 00:29:32,460 --> 00:29:36,120 WE HAVEN'T HAD A MOTHER AROUND FOR A VERY LONG TIME. 421 00:29:36,120 --> 00:29:37,710 THAT COULD BE IT. 422 00:29:37,710 --> 00:29:40,670 OH... 423 00:29:40,670 --> 00:29:44,000 HERE I AM, SCANDAL OF COLORADO, AND HERE YOU ARE -- 424 00:29:44,000 --> 00:29:47,420 >> Steven: BLAKE CARRINGTON'S MISTAKE. 425 00:29:47,420 --> 00:29:51,290 BOY, WE ARE A PAIR. 426 00:29:51,290 --> 00:29:56,420 >> Fallon: WELL, WHATEVER WE ARE, I KNOW ONE THING -- YOU'RE 427 00:29:56,420 --> 00:29:58,040 SCARED. 428 00:29:58,040 --> 00:30:00,040 AND SO AM I. 429 00:30:00,040 --> 00:30:04,460 LOTS OF STUFF STILL SCARES ME. 430 00:30:04,460 --> 00:30:10,380 LIKE I WON'T AMOUNT TO ANYTHING. 431 00:30:10,380 --> 00:30:15,000 THAT I WON'T MEASURE UP TO BLAKE CARRINGTON. 432 00:30:15,000 --> 00:30:18,790 REMEMBER HOW AFTER OUR MOTHER LEFT, I COULDN'T SLEEP FOR SIX 433 00:30:18,790 --> 00:30:20,210 MONTHS? 434 00:30:20,210 --> 00:30:25,170 I USED TO COME IN HERE, AND WE'D HOLD HANDS IN THE DARK... 435 00:30:25,170 --> 00:30:29,580 WONDERING WHERE SHE WENT AND WHY SHE WENT. 436 00:30:29,580 --> 00:30:33,000 NEVER KNOWING. 437 00:30:33,000 --> 00:30:36,420 REMEMBER HOW I USED TO TELL YOU HOW MUCH I LOVED YOU AND CARED 438 00:30:36,420 --> 00:30:37,000 ABOUT YOU? 439 00:30:37,000 --> 00:30:40,420 >> Steven: NO, I DON'T REMEMBER ANY OF THAT. 440 00:30:40,420 --> 00:30:44,420 >> Fallon: WELL, I'M TELLING YOU 441 00:30:44,420 --> 00:30:46,920 AGAIN NOW. 442 00:30:53,420 --> 00:31:01,420 >> Steven: 443 00:31:24,960 --> 00:31:28,290 >> Steven: I GOT WORD YOU WANTED TO SEE ME. 444 00:31:28,290 --> 00:31:32,330 >> Matthew: YEAH. 445 00:31:32,330 --> 00:31:41,330 I STILL OWE YOU A HALF WEEK'S WAGES. 446 00:31:41,330 --> 00:31:43,710 >> Steven: IS THAT ALL? 447 00:31:43,710 --> 00:31:45,710 >> Matthew: NO. 448 00:31:45,710 --> 00:31:49,460 WHEN I APOLOGIZE TO A MAN, I LIKE TO DO IT FACE-TO-FACE. 449 00:31:49,460 --> 00:31:51,250 >> Steven: APOLOGIZE? 450 00:31:51,250 --> 00:31:52,250 FOR WHAT? 451 00:31:52,250 --> 00:31:55,290 >> Matthew: IT WAS ED WHO, UH, TWISTED US OFF. 452 00:31:55,290 --> 00:31:56,290 I KNOW THAT. 453 00:31:56,290 --> 00:31:59,620 WE ALL DO. 454 00:31:59,620 --> 00:32:03,880 AND I'M OFFERING YOU YOUR JOB BACK, STEVEN, IF YOU STILL WANT 455 00:32:03,880 --> 00:32:04,250 IT. 456 00:32:04,250 --> 00:32:07,290 >> Steven: I DON'T WANT IT, MATTHEW. 457 00:32:07,290 --> 00:32:09,670 >> Matthew: STEVEN... 458 00:32:09,670 --> 00:32:13,170 PEOPLE MAKE MISTAKES THEY -- >> Steven: MISTAKES? 459 00:32:13,170 --> 00:32:14,460 YOU CALL IT A MISTAKE. 460 00:32:14,460 --> 00:32:16,380 I-I CALL IT SOMETHING ELSE. 461 00:32:16,380 --> 00:32:17,290 >> Matthew: LIKE WHAT? 462 00:32:17,290 --> 00:32:20,380 >> Steven: LIKE I WONDER IF YOU AND THE REST OF THEM WOULD HAVE 463 00:32:20,380 --> 00:32:22,620 BEEN SO QUICK TO CONDEMN ONE OF THE OTHERS. 464 00:32:22,620 --> 00:32:25,380 >> Matthew: WELL...WHAT ARE YOU TRYING TO SAY? 465 00:32:25,380 --> 00:32:28,080 >> Matthew: YOU KNOW DAMN WELL WHAT I'M TRYING TO SAY. 466 00:32:28,080 --> 00:32:29,460 MATTHEW, THEY STRUNG ME UP. 467 00:32:29,460 --> 00:32:32,120 THEY TOOK A ROPE AND THEY TIED IT AROUND MY ANKLES AND THEY 468 00:32:32,120 --> 00:32:34,170 HOISTED ME UP AND THEY LET ME HANG THERE. 469 00:32:34,170 --> 00:32:37,250 AND YOU -- YOU DIDN'T EVEN TALK TO ME. 470 00:32:37,250 --> 00:32:42,960 YOU JUST TOOK IT FOR GRANTED THAT THE FAGGOT DID IT. 471 00:33:04,580 --> 00:33:09,380 >> Ed: MRS. BLAISDEL? 472 00:33:09,380 --> 00:33:10,790 >> Claudia: YES. 473 00:33:10,790 --> 00:33:12,420 >> Ed: IT'S ED. 474 00:33:12,420 --> 00:33:13,290 FROM OUT ON THE RIG. 475 00:33:13,290 --> 00:33:14,380 >> Claudia: OH, ED. 476 00:33:14,380 --> 00:33:15,250 HI. HOW ARE YOU? 477 00:33:15,250 --> 00:33:18,380 >> Ed: I GUESS YOU BET AGAINST EVER SEEING ME IN A BOOKSTORE, 478 00:33:18,380 --> 00:33:19,380 HUH? 479 00:33:19,380 --> 00:33:20,420 >> Claudia: WELL... 480 00:33:20,420 --> 00:33:21,830 WHAT HAPPENED TO YOUR FACE? 481 00:33:21,830 --> 00:33:24,290 DID YOU GET IN THAT ACCIDENT OUT AT THE DRILL SITE? 482 00:33:24,290 --> 00:33:26,710 >> Ed: OH, DIDN'T MATTHEW TELL YOU? 483 00:33:26,710 --> 00:33:29,080 OH, WELL, UH, HIM AND ME... 484 00:33:29,080 --> 00:33:31,920 WE HAD A DISAGREEMENT, I GUESS YOU'D CALL IT. 485 00:33:31,920 --> 00:33:34,380 ANYWAY, I'M NOT WORKING THERE ANYMORE. 486 00:33:34,380 --> 00:33:35,330 >> Claudia: I'M SORRY. 487 00:33:35,330 --> 00:33:36,620 >> Ed: OH, THAT'S OKAY. 488 00:33:36,620 --> 00:33:38,040 I DIDN'T CARE FOR THE JOB. 489 00:33:38,040 --> 00:33:41,170 TELL YOU TRUTH, I DON'T MUCH CARE FOR YOUR HUSBAND. 490 00:33:41,170 --> 00:33:43,330 OH, THAT DOESN'T GO FOR YOU, THOUGH. 491 00:33:43,330 --> 00:33:46,790 I MEAN, GIVEN HOW YOU WERE IN THAT PLACE, LOCKED UP AND 492 00:33:46,790 --> 00:33:47,790 EVERYTHING. 493 00:33:47,790 --> 00:33:50,380 >> Claudia: I WAS IN A HOSPITAL, ED. 494 00:33:50,380 --> 00:33:51,500 I WASN'T LOCKED UP. 495 00:33:51,500 --> 00:33:53,040 THERE'S A DIFFERENCE. 496 00:33:53,040 --> 00:33:54,500 >> Ed: WELL, WHATEVER. 497 00:33:54,500 --> 00:33:58,290 WELL, STILL, IT CAN'T BE TOO MUCH FUN BEING MARRIED TO 498 00:33:58,290 --> 00:33:59,750 MATTHEW. 499 00:33:59,750 --> 00:34:03,170 YOU KNOW, BEHAVING THE WAY HE DOES. 500 00:34:03,170 --> 00:34:06,960 >> Claudia: AND HOW DOES HE BEHAVE, ED? 501 00:34:06,960 --> 00:34:08,920 >> Ed: YOU MEAN TO SAY YOU DON'T KNOW? 502 00:34:08,920 --> 00:34:12,290 >> Claudia: >> Ed: HEY, DO YOU, UH, DO YOU 503 00:34:12,290 --> 00:34:13,790 GOT A BOOK ON ORCHIDS? 504 00:34:13,790 --> 00:34:17,290 I GOT A FRIEND TELLS ME THAT, UM, I SHOULD HAVE A HOBBY -- YOU 505 00:34:17,290 --> 00:34:20,880 KNOW, SOMETHING TO DO IN MY SPARE TIME, AND HE SAYS THAT TO 506 00:34:20,880 --> 00:34:22,540 RAISE ORCHIDS IS PRETTY EASY. 507 00:34:22,540 --> 00:34:25,120 ALL YOU HAVE TO HAVE IS A LITTLE MOSS AND A LITTLE, UM... 508 00:34:25,120 --> 00:34:28,210 >> Claudia: ED, LOOK, YOU CAME HERE TO TELL ME SOMETHING, SO 509 00:34:28,210 --> 00:34:32,210 WHY DON'T YOU JUST TELL ME, ALL RIGHT? 510 00:34:32,210 --> 00:34:36,620 >> Ed: WELL, UM, ALL THE TIME THAT, UH, YOU WERE IN THAT 511 00:34:36,620 --> 00:34:38,210 PLACE, YOU KNOW? 512 00:34:38,210 --> 00:34:42,250 YOUR FAIR-HAIRED MATTHEW BLAISDEL, HE WAS FOOLING 513 00:34:42,250 --> 00:34:46,620 AROUND WITH ANOTHER WOMAN. 514 00:34:46,620 --> 00:34:51,460 I MEAN, EVERYBODY KNEW ABOUT IT, AND I JUST FIGURED THAT YOU GOT 515 00:34:51,460 --> 00:34:55,830 A PERFECT RIGHT TO KNOW, TOO. 516 00:34:55,830 --> 00:35:00,500 >> Claudia: YOU'RE A FINE CREDIT TO THE HUMAN RACE, ED. 517 00:35:00,500 --> 00:35:03,710 YOU REALLY DESERVE A MEDAL. 518 00:35:03,710 --> 00:35:06,710 WHAT WOMAN? 519 00:35:06,710 --> 00:35:09,580 >> Ed: UH, WELL, UH, MAYBE I SAID TOO MUCH ALREADY. 520 00:35:09,580 --> 00:35:13,210 >> Claudia: WHAT WOMAN, ED? 521 00:35:13,210 --> 00:35:19,830 >> Ed: WELL, THE ONE THAT, UH, IS MARRIED TO BLAKE CARRINGTON. 522 00:35:19,830 --> 00:35:22,710 NAME OF KRYSTLE. 523 00:35:32,000 --> 00:35:35,000 YOU ALL RIGHT, MS. BLAISDEL? 524 00:35:35,000 --> 00:35:44,170 >> Claudia: GET THE HELL OUT OF HERE, ED. 525 00:35:44,170 --> 00:35:48,080 >> Woman: TRANS ALLIED FLIGHT 526 00:35:48,080 --> 00:35:52,420 NUMBER 138 DEPARTING LOS ANGELES INTERNATIONAL TO KANSAS CITY IS 527 00:35:52,420 --> 00:35:55,210 READY FOR BOARDING AT GATE 32. 528 00:35:55,210 --> 00:35:59,710 >> MR. TED DENARD, PLEASE REPORT TO THE FRONT DESK. 529 00:35:59,710 --> 00:36:04,330 MR. TED DENARD, REPORT TO THE FRONT DESK, PLEASE. 530 00:36:09,170 --> 00:36:17,750 WILL MR. TED DENARD PLEASE REPORT TO THE FRONT DESK? 531 00:36:17,750 --> 00:36:19,210 >> Ted: HI. I'M TED DENARD. 532 00:36:19,210 --> 00:36:20,420 >> OH, YES, SIR. 533 00:36:20,420 --> 00:36:23,830 UH, THAT YOUNG LADY RIGHT THERE. 534 00:36:23,830 --> 00:36:25,420 >> Fallon: HI. 535 00:36:25,420 --> 00:36:29,540 I'M FALLON COLBY, STEVEN CARRINGTON'S SISTER. 536 00:36:29,540 --> 00:36:32,960 >> Ted: HELLO. 537 00:36:32,960 --> 00:36:34,380 >> Fallon: HELLO. 538 00:36:34,380 --> 00:36:37,670 I HAPPEN TO KNOW YOU'RE ON YOUR WAY TO SAN FRANCISCO FROM L.A. 539 00:36:37,670 --> 00:36:40,880 WHY DON'T YOU JUST TURN IN YOUR TICKET AND LET ME GIVE YOU A 540 00:36:40,880 --> 00:36:43,080 LIFT? 541 00:36:43,080 --> 00:36:46,960 >> Ted: YOU KNOW, SOMEHOW I 542 00:37:05,000 --> 00:37:08,290 ALWAYS IMAGINED THAT THE PRIVATE CARRINGTON JET WOULD BE A 747. 543 00:37:08,290 --> 00:37:11,210 >> Fallon: WE THOUGHT ABOUT IT, BUT WE FIGURED IT MIGHT BE A BIT 544 00:37:11,210 --> 00:37:11,710 MUCH. 545 00:37:11,710 --> 00:37:13,790 >> Ted: BESIDES, WHO WANTS TO CLIMB STAIRS? 546 00:37:13,790 --> 00:37:16,830 >> Fallon: I THOUGHT YOU AND MY BROTHER LIVED TOGETHER FOR A 547 00:37:16,830 --> 00:37:17,880 WHILE IN A WALK-UP. 548 00:37:17,880 --> 00:37:19,620 PERRY STREET, WASN'T IT? 549 00:37:19,620 --> 00:37:21,540 >> Ted: YES. PERRY STREET. 550 00:37:21,540 --> 00:37:22,830 I STILL LIVE THERE. 551 00:37:22,830 --> 00:37:25,540 >> Fallon: YOU DON'T SOUND LIKE A NEW YORKER. 552 00:37:25,540 --> 00:37:26,880 YOU'RE NOT, ARE YOU? 553 00:37:26,880 --> 00:37:29,330 >> Ted: I'M FROM NORTH DAKOTA ORIGINALLY... 554 00:37:29,330 --> 00:37:31,750 BUT I NEVER REALLY FELT I BELONGED THERE. 555 00:37:31,750 --> 00:37:35,750 >> Fallon: BECAUSE YOU'RE GAY? 556 00:37:35,750 --> 00:37:37,000 >> Ted: NO. 557 00:37:37,000 --> 00:37:38,500 I HATED THE WEATHER. 558 00:37:38,500 --> 00:37:45,040 >> Fallon: OH. 559 00:37:45,040 --> 00:37:46,250 >> Ted: THANK YOU. 560 00:37:46,250 --> 00:37:48,750 >> Fallon: YOU'RE WELCOME. 561 00:37:58,080 --> 00:38:01,920 >> Ted: FALLON, YOU'RE NOT SPENDING $50 A MINUTE ON FUEL TO 562 00:38:01,920 --> 00:38:04,500 TALK TO ME ABOUT GEOGRAPHY AND COLD WINTERS. 563 00:38:04,500 --> 00:38:07,080 >> Fallon: OH, WELL, DON'T LET THAT WORRY YOU. 564 00:38:07,080 --> 00:38:09,880 WE FLY THIS CRATE AROUND WHENEVER WE WANT, WHEREVER WE 565 00:38:09,880 --> 00:38:10,170 WANT. 566 00:38:10,170 --> 00:38:11,500 IT'S A TAX WRITE-OFF. 567 00:38:11,500 --> 00:38:15,210 >> Ted: YOU WANT ME OUT OF YOUR BROTHER'S LIFE. 568 00:38:15,210 --> 00:38:17,170 >> Fallon: YES, I DO. 569 00:38:17,170 --> 00:38:20,040 AND IF YOU CARE ABOUT HIM AT ALL, YOU WILL. 570 00:38:20,040 --> 00:38:21,080 >> Ted: WHY? 571 00:38:21,080 --> 00:38:22,710 CAN YOU TELL ME WHY? 572 00:38:22,710 --> 00:38:26,080 >> Fallon: BECAUSE YOU'RE GONNA COST HIM EVERYTHING. 573 00:38:26,080 --> 00:38:29,290 BECAUSE SOMEDAY HE'S GONNA SAY HE THREW IT ALL AWAY. 574 00:38:29,290 --> 00:38:31,040 >> Ted: THREW WHAT AWAY, FALLON? 575 00:38:31,040 --> 00:38:34,120 >> Fallon: WELL, HIS FATHER'S LOVE, FOR ONE THING. 576 00:38:34,120 --> 00:38:35,500 AND HIS FATHER'S RESPECT. 577 00:38:35,500 --> 00:38:39,000 STEVEN MAY NOT CARE TO ADMIT THAT, BUT HE WANTS IT VERY MUCH. 578 00:38:39,000 --> 00:38:42,580 >> Ted: NOT TO MENTION THE CARRINGTON POWER. 579 00:38:42,580 --> 00:38:44,250 >> Fallon: THAT TOO. 580 00:38:44,250 --> 00:38:45,170 >> Ted: MM. 581 00:38:45,170 --> 00:38:47,170 POWER TO DO WHAT, FALLON? 582 00:38:47,170 --> 00:38:48,120 MAKE A FORTUNE? 583 00:38:48,120 --> 00:38:50,460 >> Fallon: THAT, YES. 584 00:38:50,460 --> 00:38:55,330 >> Ted: YOU KNOW, YOU DON'T EVEN ALLOW THAT STEVEN MAYBE, JUST 585 00:38:55,330 --> 00:38:59,080 MAYBE, DOESN'T WANT THE POWER OR THE MONEY. 586 00:38:59,080 --> 00:39:02,500 >> Fallon: TED, STEVEN COMES FROM A WORLD WHERE CULLS AND 587 00:39:02,500 --> 00:39:05,790 CRIPPLES AND HOMOSEXUALS ARE TAKEN BEHIND A BARN AND 588 00:39:05,790 --> 00:39:12,790 SLAUGHTERED BEFORE THEY CAN BE GIVEN A CHANCE TO BREED. 589 00:39:12,790 --> 00:39:16,120 >> Ted: THERE IS A CERTAIN CHARM ABOUT YOU. 590 00:39:16,120 --> 00:39:17,330 YOU KNOW THAT? 591 00:39:17,330 --> 00:39:26,250 >> Fallon: WELL, I'M SORRY, BUT THAT'S JUST THE WAY IT IS. 592 00:39:26,250 --> 00:39:29,330 >> Ted: FALLON, WHO THE HELL IS MORE PERVERTED? 593 00:39:29,330 --> 00:39:33,460 ME OR BLAKE CARRINGTON, WHO GOES AROUND CRUSHING HUMAN SOULS? 594 00:39:33,460 --> 00:39:36,290 NOW, I READ ABOUT HIM, HEAR ABOUT HIM STRANGLING 595 00:39:36,290 --> 00:39:39,380 CORPORATIONS, THE PEOPLE INSIDE THOSE CORPORATIONS. 596 00:39:39,380 --> 00:39:40,750 AND FOR WHAT, FALLON? 597 00:39:40,750 --> 00:39:41,540 MORE MONEY? 598 00:39:41,540 --> 00:39:45,170 I MEAN, HOW MANY MILLIONS DOES HE HAVE TO HAVE? 599 00:39:45,170 --> 00:39:48,500 ME, I'M NOT ASKING FOR A WHOLE LOT OUT OF LIFE. 600 00:39:48,500 --> 00:39:51,330 STEVEN ISN'T ASKING FOR MUCH, EITHER. 601 00:39:51,330 --> 00:39:54,170 >> Fallon: DON'T YOU THINK STEVEN HAS THE RIGHT TO CHOOSE 602 00:39:54,170 --> 00:39:56,000 WHAT KIND OF LIFE HE'S GOING TO LIVE? 603 00:39:56,000 --> 00:39:58,710 DON'T YOU THINK YOU SHOULD AT LEAST GIVE HIM SOME MORE TIME? 604 00:39:58,710 --> 00:40:01,290 YOU'RE NOT GOING ANYPLACE, EXCEPT RIGHT NOW TO 605 00:40:01,290 --> 00:40:06,920 SAN FRANCISCO. 606 00:40:06,920 --> 00:40:10,920 >> Ted: FALLON... 607 00:40:10,920 --> 00:40:13,920 FALLON, HAVE YOU EVER LOVED ANYBODY? 608 00:40:13,920 --> 00:40:17,120 >> Fallon: WELL, OF COURSE. I -- >> Ted: I MEAN REALLY LOVED 609 00:40:17,120 --> 00:40:18,920 SOMEBODY. 610 00:40:18,920 --> 00:40:24,290 MORE THAN MONEY OR POWER... 611 00:40:24,290 --> 00:40:29,710 MORE THAN YOUR OWN LIFE, EVEN? 612 00:40:29,710 --> 00:40:30,920 >> Fallon: I'M SORRY. 613 00:40:30,920 --> 00:40:33,040 I GUESS I HAVEN'T. 614 00:40:33,040 --> 00:40:35,120 >> Ted: IT'S ALL RIGHT. 615 00:40:35,120 --> 00:40:36,290 DON'T BE SORRY. 616 00:40:36,290 --> 00:40:39,040 YOU'RE PROBABLY LUCKY. 617 00:40:39,040 --> 00:40:43,040 ONE MORE QUESTION. 618 00:40:43,040 --> 00:40:46,750 HAVE YOU EVER HAD THE LOBSTER AT NAT'S IN SAN FRANCISCO? 619 00:40:46,750 --> 00:40:49,380 >> Fallon: NO, I HAVEN'T. 620 00:40:49,380 --> 00:40:51,080 >> Ted: WOULD YOU JOIN ME? 621 00:40:51,080 --> 00:40:55,170 I MEAN, SINCE NEITHER ONE OF US SEEMS TO BE GOING ANYPLACE. 622 00:40:55,170 --> 00:40:57,000 HMM? 623 00:41:15,920 --> 00:41:22,500 >> Matthew: HI. 624 00:41:22,500 --> 00:41:25,120 YOU KNOW, UH... 625 00:41:25,120 --> 00:41:37,710 I'VE BEEN THINKING ABOUT WHAT WE WERE TALKING ABOUT. 626 00:41:37,710 --> 00:41:47,120 WELL, YOU KNOW, THE BUSINESS OF 627 00:41:47,120 --> 00:41:49,330 GOING TO SEE DR. JORDAN TOGETHER. 628 00:41:49,330 --> 00:41:53,170 I, UH, I THINK MAYBE I'M READY TO GIVE IT A SHOT. 629 00:41:53,170 --> 00:41:55,790 >> Claudia: I DON'T WANT TO. 630 00:41:55,790 --> 00:41:57,960 >> Matthew: BUT IT WAS YOUR IDEA. 631 00:41:57,960 --> 00:42:01,250 >> Claudia: I'VE CHANGED MY MIND. 632 00:42:01,250 --> 00:42:03,960 >> Matthew: WHAT DO YOU MEAN, YOU CHANGED YOUR MIND? 633 00:42:03,960 --> 00:42:05,960 IS SOMETHING...SOMETHING WRONG? 634 00:42:05,960 --> 00:42:11,080 >> Claudia: ED, YOUR DRILLER, YOUR EX-DRILLER, CAME TO SEE ME 635 00:42:11,080 --> 00:42:13,670 TODAY AT THE BOOKSTORE. 636 00:42:13,670 --> 00:42:15,460 >> Matthew: YEAH? 637 00:42:15,460 --> 00:42:16,540 WHAT DID HE WANT? 638 00:42:16,540 --> 00:42:18,960 >> Claudia: HE WANTED TO TALK TO ME. 639 00:42:18,960 --> 00:42:26,120 >> Matthew: ABOUT WHAT? 640 00:42:26,120 --> 00:42:29,290 >> Claudia: ORCHIDS. 641 00:42:29,290 --> 00:42:32,080 >> Matthew: ORCHIDS? 642 00:42:32,080 --> 00:42:33,790 >> Claudia: I'M GOING TO BED, MATTHEW. 643 00:42:33,790 --> 00:42:35,830 I'M GOING TO TURN OUT THE LIGHT. 644 00:44:12,880 --> 00:44:20,460 >> Krystle: SORRY I'M LATE, 645 00:44:20,460 --> 00:44:21,080 DARLING. 646 00:44:21,080 --> 00:44:27,880 BUT YOU KNOW HOW THE GIRLS ARE WHEN WE GET TOGETHER. 647 00:44:27,880 --> 00:44:30,880 BLAKE, ARE YOU ALL RIGHT? 648 00:44:30,880 --> 00:44:57,670 BLAKE? 649 00:44:57,670 --> 00:45:00,960 >> Blake: THIS WHAT YOU'RE LOOKING FOR? 650 00:45:00,960 --> 00:45:03,960 YOUR BIRTH CONTROL PILLS? 651 00:45:03,960 --> 00:45:10,960 SHE LOVES ME...SHE LOVES ME NOT. 652 00:45:10,960 --> 00:45:15,080 SHE LOVES ME...SHE LOVES ME NOT. 653 00:45:15,080 --> 00:45:16,830 >> Krystle: WHAT ARE YOU DOING? 654 00:45:16,830 --> 00:45:18,120 >> Blake: DOING WHAT? 655 00:45:18,120 --> 00:45:20,210 >> Krystle: WHY ARE YOU DOING THAT? 656 00:45:20,210 --> 00:45:23,830 >> Blake: I THOUGHT WE HAD SOME KIND OF AN UNDERSTANDING, 657 00:45:23,830 --> 00:45:27,880 SOMETHING WE WERE GOING TO SHARE. 658 00:45:27,880 --> 00:45:32,040 A CHILD THAT WE WERE GOING TO HAVE TOGETHER, A CHILD... 659 00:45:32,040 --> 00:45:37,120 THAT WE BOTH WANTED VERY, VERY MUCH. 660 00:45:37,120 --> 00:45:39,580 >> Krystle: BLAKE... 661 00:45:39,580 --> 00:45:42,920 I NEED SOME TIME TO SORT THINGS OUT. 662 00:45:42,920 --> 00:45:44,000 >> Blake: SORT THINGS OUT? 663 00:45:44,000 --> 00:45:48,880 I THOUGHT YOU KNEW EVERYTHING ABOUT ME BEFORE WE GOT MARRIED. 664 00:45:48,880 --> 00:45:51,040 ABOUT MY DESIRE FOR THAT CHILD. 665 00:45:56,460 --> 00:46:01,960 IS IT THAT I'M...SURROUNDED BY PEOPLE WHO CAN ONLY BETRAY ME, 666 00:46:01,960 --> 00:46:06,620 PEOPLE WHO SAY THAT THEY BELIEVE IN ME AND THEN DON'T? 667 00:46:06,620 --> 00:46:09,500 MY SON IS LOVE WITH ANOTHER MAN. 668 00:46:09,500 --> 00:46:12,330 MY DAUGHTER IS IN LOVE WITH SEX. 669 00:46:12,330 --> 00:46:15,670 SHE'S PROBABLY STILL SLEEPING WITH EVERY PLAYER ON MY FOOTBALL 670 00:46:15,670 --> 00:46:16,040 TEAM. 671 00:46:16,040 --> 00:46:19,250 MY WIFE... 672 00:46:19,250 --> 00:46:22,330 WHO KNOWS WHAT MY WIFE IS DOING BEHIND MY BACK? 673 00:46:22,330 --> 00:46:25,960 >> Krystle: WHAT ARE YOU DOING? 674 00:46:25,960 --> 00:46:28,960 BLAKE...YOU DON'T LOOK WELL. 675 00:46:28,960 --> 00:46:30,750 I'M GOING TO CALL THE DOCTOR. 676 00:46:30,750 --> 00:46:32,620 >> Blake: NO! 677 00:46:38,290 --> 00:46:40,080 >> Krystle: DON'T! 678 00:46:40,080 --> 00:46:41,580 >> Blake: COME OVER HERE. 679 00:46:41,580 --> 00:46:42,670 >> Krystle: BLAKE! 680 00:46:42,670 --> 00:46:43,960 >> Blake: YOU'RE MY WIFE! 681 00:46:43,960 --> 00:46:49,830 YOU DO WHAT I TELL YOU TO DO WHEN I TELL YOU TO DO IT. 682 00:46:49,830 --> 00:46:54,670 >> Krystle: BLAKE! 683 00:46:54,670 --> 00:46:59,330 STOP! 684 00:46:59,330 --> 00:47:01,620 BLAKE, YOU'RE CHOKING ME! 685 00:47:12,210 --> 00:47:21,460 NO. 686 00:47:21,460 --> 00:47:23,080 NO! 687 00:47:23,080 --> 00:47:26,080 NO.